DEVELOP YOUR BRIDGE

acol  bridgeacol  bridgeacol  bridgeacol  bridgeacol  bridgeacol  bridgeacol  bridge
Home > Bidding > Big hands > Cue (or Control) bidding


 

 

Tutorial



 

 

 

Odds and Ends

 

Cue (or Control) bidding

It is worth saying that this page is not for the faint-hearted. Experienced players read on. Others might do well to leave it for a while.

A cue-bid is a forcing bid in a suit in which the bidder cannot wish to play (either because the opposition has bid it, or because you have already agreed a trump suit). It is applied to:

  1. Bids to show controls at a high level after a suit has been agreed directly or by inference, and the partnership is committed to game, or,
  2. Bids in the opponents suit at any level.

(1) SHOWING CONTROLS

First round controls are an ace or a void. Second round controls are a king or a singleton. When cue-bidding, first round controls are shown before second round controls, and controls are shown in ascending order.

Initiating cue-bidding normally denies the ability to bid the slam but announces the readiness to discuss the possibility. Many reliable authors would insist that the initiator should herself have the ace of the trump suit.

Suppose you hold the hand below:-

S K Q 7 4 2
H 9 3 2
D A 10 2
C K J

Partner opens one club and you respond one spade. Partner now jumps to thee spades. She must have some 16+ points and a slam is a possibility. If we used Blackwood and heard two aces, we would still be ignorant of the location of the ace of hearts. A cue-bid of four diamonds would show first round control in diamonds. A bid of four hearts from partner would show the ace of hearts and would enable you to bid six spades  at once,  while  with  a  bid  of  five  clubs          ( bypassing the heart suit and thereby denying the ace of hearts), you would sign off in five spades.

Another exciting hand. Suppose you hold the cards below:-

S A K 8 6 4
H Q 6 5
D A K Q 2
C 2

Partner raises our opening bid of one spade to three spades.

Consider the possible hands partner might hold and the consequent auctions below:-

S Q J 7 3
H A K 8
D J 4 3
C 5 4 3
N E S W
1S - 3S -
4D - 4H -
6S - - -

 

S Q J 7 3
H 5 4 3
D J 4 3
C A K 8
N E S W
1S - 3S -
4D - 5C -
5S      

In the first we are in an excellent slam while in the second we do well to stay out of one.

(2) BIDDING THE OPPONENT'S SUIT

This bid is never made in the expectation of actually playing in the relevant suit (you don't easily walk into a bad break). It is used as either

  • an unconditional force to game where the best contract is not clear or a slam is possible, or
  • an enquiry into partner's holding in the suit bid with a view to playing in no-trumps.
(1)

West

S K Q 4 3
H A 5 4 3
D K Q 8 6
C 2
N E S W
1C * Pass ?

A bid of 2C will be an unconditional game force, asking partner to select the best contract.

 

(2)

West

S A 4
H J 5
D A 6 5
C AKQJ54
W N E S
1C 1H 1S -
?      
A bid of two hearts would be asking partner to bid no-trumps if she has a heart stop.

 

(3)

East

S A K 5 4 3
H A K 5 4 3
D 3
C 4 3
N E S W
1D * 2C Pass
2D 3C ?  

The bid of three clubs requires West to choose hearts or spades. There is a good chance of game in either.

 

(4)

West

S A Q 9 8 2
H K J 9
D 10 6 4
C A 6

#

East

S K J 4 3
H Q 6 5
D K Q 3
C J 5 3

Suppose South makes life difficult for you by opening a weak two hearts. West has no trouble in overcalling two spades. East could bid an immediate four spades, but an alternative bid might be three hearts. This is proposing three no-trumps if West has cover in hearts, as nine tricks in no-trumps may be easier than ten in spades.

I haven't yet given you any practise hands specific to cue bidding and probably won't unless there is a national hue and cry and an appeal on television. However these are some big hands and you could see if your new skill in cue-bidding gives you an alternative auction to the one proposed by me.

Top of page

Printing option

Contact Ray

 

Serendipity

Charles Goren was a great American bridge player who adopted the mantle of super star after the second world war when Culbertson lost interest in the game. He once said "I remember so many people who all but lived for bridge, and who would almost have curled up and withered away if they hadn't been able to play. Most of them found it difficult even to express themselves in non-bridge terms away from the bridge table. There was a young man who introduced himself to me and said he was from Sulligent, Alabama. I said 'How big is that?'  'Oh,'   he said   'about four tables'. "